Obi\u0219nuiam s\u0103 spun\u0103 c\u0103, atunci c\u00e2nd cineva men\u021biona \u201emuzic\u0103 rom\u00e2neasc\u0103\u201d, se g\u00e2ndea imediat la manele sau coruri folk. Dar ast\u0103zi, peisajul sonor al \u021b\u0103rii s-a schimbat p\u00e2n\u0103 la a fi de nerecunoscut. De la subsolurile Bucure\u0219tiului, la studiourile din Cluj \u0219i la apartamentele din Sibiu, plute\u0219te o muzic\u0103 care sun\u0103 proasp\u0103t chiar \u0219i \u00een Berlin sau Londra.
\nDa, manelele nu au disp\u0103rut nic\u0103ieri – \u00eenc\u0103 se c\u00e2nt\u0103 la nun\u021bi, \u00een taxiuri \u0219i pe str\u0103zi. Dar acum, al\u0103turi de ele, g\u0103sim synthwave-ul lui Morris, jazz-hip-hop-ul lui Grasu XXL, indie-ul melancolic al Adei Milea \u0219i electronica lui Priku – un DJ ale c\u0103rui piese sunt difuzate \u00een cele mai bune cluburi din lume, de la Berghain la Boiler Room.
\nAscensiunea scenei indie este deosebit de impresionant\u0103. Festivaluri precum Electric Castle (Transilvania) sau Untold (Cluj) au fost mult timp mai mult dec\u00e2t simple \u201eevenimente rom\u00e2ne\u0219ti\u201d – sunt puncte de atrac\u021bie interna\u021bionale. \u00cens\u0103, \u00een culisele acestor gigan\u021bi, o nou\u0103 genera\u021bie cre\u0219te: muzicieni care c\u00e2nt\u0103 \u00een baruri mici, dar compun muzic\u0103 la nivelul Radiohead sau Bj\u00f6rk.<\/p>\n
Experimentarea prosper\u0103 \u00een Bucure\u0219ti. \u00cen subsolurile cartierului Floreasc\u0103 sau \u00een podurile Sectorului 3, se adun\u0103 trupe care combin\u0103 instrumente tradi\u021bionale – ney, targota \u0219i kobza – cu ritmuri electronice. Rezultatul nu este \u201efolk pentru turi\u0219ti\u201d, ci art\u0103 sonor\u0103 autentic\u0103.<\/p>\n
\u0218i apoi exist\u0103 manele 2.0 – arti\u0219ti tineri precum Delia \u0219i Theo Rose, care preiau ritmurile manelelor, dar c\u00e2nt\u0103 despre dragoste, feminism \u0219i via\u021ba urban\u0103. Aceasta este o \u00eencercare de a reabilita un gen care a fost mult timp considerat \u201epopular\u201d.<\/p>\n
Etichete independente precum Okapi Sound, Roko Records \u0219i Subcarpa\u021bi joac\u0103 un rol vital – nu urm\u0103resc hituri, ci cultiv\u0103 arti\u0219ti. Subcarpa\u021bi, apropo, a devenit emblematic: albumele lor sunt coloana sonor\u0103 a unei noi Rom\u00e2nii, unde melodiile rurale \u00eent\u00e2lnesc hip-hop-ul \u0219i jazz-ul.<\/p>\n
Muzica a devenit un limbaj al reconcilierii. Tineri din diferite straturi sociale g\u0103sesc un ritm comun: un b\u0103iat din cartierul elitist Aviatorilor \u0219i o fat\u0103 dintr-un c\u0103min din Rahova pot dansa pe aceea\u0219i pies\u0103 la un festival.<\/p>\n
Este deosebit de emo\u021bionant cum vocile b\u0103tr\u00e2ne sunt readuse la via\u021b\u0103. Proiecte precum \u201eArhiva de Sunet\u201d digitalizeaz\u0103 \u00eenregistr\u0103ri ale orchestrelor \u021big\u0103ne\u0219ti rom\u00e2ne\u0219ti, c\u00e2ntece \u021b\u0103r\u0103ne\u0219ti \u0219i roman\u021be urbane – \u0219i le \u00eempletesc \u00een compozi\u021bii contemporane.<\/p>\n
Nu ne mai este ru\u0219ine de sunetul nostru. Dimpotriv\u0103, suntem m\u00e2ndri de el. C\u00e2nd un DJ rom\u00e2n c\u00e2nt\u0103 la Paris, nu \u00ee\u0219i ascunde accentul, ci spune: \u201eSunt din Bucure\u0219ti\u201d. \u0218i sun\u0103 ca o declara\u021bie.<\/p>\n
Ast\u0103zi, muzica rom\u00e2neasc\u0103 nu este un gen, ci o stare de a fi. Vorbe\u0219te despre cine suntem: oameni care \u00ee\u0219i amintesc de r\u0103d\u0103cinile lor, dar privesc spre viitor. \u0218i at\u00e2ta timp c\u00e2t cineva dintr-un subsol \u00ee\u0219i \u00eenregistreaz\u0103 prima pies\u0103, exist\u0103 speran\u021b\u0103 pentru noi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Obi\u0219nuiam s\u0103 spun\u0103 c\u0103, atunci c\u00e2nd cineva men\u021biona \u201emuzic\u0103 rom\u00e2neasc\u0103\u201d, se g\u00e2ndea imediat la manele sau coruri folk. Dar ast\u0103zi, peisajul sonor al \u021b\u0103rii s-a schimbat p\u00e2n\u0103 la a fi…<\/p>\n","protected":false},"author":2,"featured_media":82,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-81","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stil"],"_links":{"self":[{"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=81"}],"version-history":[{"count":1,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/posts\/81\/revisions"}],"predecessor-version":[{"id":83,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/posts\/81\/revisions\/83"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=\/wp\/v2\/media\/82"}],"wp:attachment":[{"href":"https:\/\/ammesvetri.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ammesvetri.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}